Misogyny in rap music

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The need in its development determines the relevance of this study. Applications include stage productions, museum exhibits, recording studio control systems, and attractions. Electronic theses, Projects, and Dissertations.

The compact size of these files led to their widespread use in computers, mobile phone , webpage authoring and musical greeting cards. Bass and Geddy Lee questioning by Jonathan Lewis. These files are intended for universal use, and include such information as note values, timing and track names. X Exclude words from your search Put - in front of a word you want to leave out.

MIDI

Theo and some other developers mutate a theme from a classical setting, a movie, or some genre into the fishy world of Puffy, to describe some advance, event or controversy про music project went through over the previous six months. This is a humorous warning, but also a true story. More than half the developers the new kids don't know this story but still repeat the meme -- it has nearly become apocrypha. Unfortunately, in software development not all problems are as trivial as we think. The event happened at a hackathon in Portugal more than a decade ago. In a eureka moment Art declared he had found a stunningly simple solution for a problem про music pondered, and he could fix it in 2 -- no -- 3 lines. In the following weeks his change grew larger and larger, introducing or exposing other problems. It was far from a 3 line diff, and was eventually discarded. I am not writing words of mockery here. This is a common occurance in complex software development. Про music do great things, we must reach for the sky. Sometimes we fail, and quite often it is messy. There is of course a danger we'll believe we are invincible, and push a change which is too disruptive to others. For that reason, we operate as a team. Therefore to this про music posing a question like And you can fix the problem in 3 lines. Just sit right back and you'll hear a tale, A tale of a fateful diff, That started on a set of stairs Right by a pizza joint. Art was a mighty coding man, And he was mighty sure The only change that was required Was a three-line diff, a three-line diff. The coding started getting tough, The change began to swell, Despite the confidence of the programmers The system would then crash, the system always crashed. The simple change became complex Just too many things overlooked, With Grabowski, And the testers too, Theo watching and skeptical Miod Vallat, And Kettenis, and Dale, and. So this is a tale of our programmers, They've been here for 20 years. They'll have to do the best they can, It's an endless task. Lyrics by Carson Harding based upon tale from Theo de Raadt. Vocals by Johnny Nordstrom, Chris Wynters, Scott Peters of Captain Tractor. Composition, arrangement, instruments, and recording by Jonathan Lewis. This song was released 13 months after 6. Previously, open source projects would make occasional releases accompanied by tarballs of final source files and Changelogs files, but would not expose the step-by-step changes of the development process. Unwittingly all open source projects were operating with a walled garden approach. Nowadays there are many anoncvs mirrors. The introduction of anoncvs meant people without commit access could read the commit logs, as well as each committed diff. They could reason about the past as they proposed new changes. Anoncvs had an immediate impact expanding our development group. We were inundated with high quality diffs. These outsider developers wrote excellent changes because they had sufficient context to reason upon. Those who overwhelmed us with good changes became developers with commit access. We were forced to hand out commit accounts like candy. Some people said we would про music last. Their cynicism could almost be thanked for the increase in openness we embraced, and then our openness probably led others to embrace it also. I had a Type-4 keyboard, Bought with my Sun workstation, Hacked on it 'til my fingers bled. Me and the guys from core, Had a source tree with lots of history. Chris and Charles held a little coup, I should have known I'd lose my history. Oh, when I look back now, Про music can see we all have nothing When it all can be. Everyone needs to know their history. It was the winter of '95 So we carried on with a fresh про music tree, Spent all of our hours coding, Making changes in our private history, Repeating the error of the past, yeah. The source tree just got too big, Too many diffs, too unreliable, Too few people had any access; Got to open it up now and forever Everyone needs to see the history. Sometimes when I look for something Reading ancient tarballs with despair I wonder what they were thinking. And now the times have changed Repos on the web, git, now githubs everywhere. Everyone needs to see the history. Composition, arrangement, instruments, vocals, and recording by Jonathan Lewis. In 20 years of mitigating security issues, we've encountered plenty of resistance. Some upstream projects don't seem to care that their software follows unsafe practices or sacrifice security in favor of obsolete methods. It takes sustained pressure to tear down the walls. All in all it's just raising the bar All in all you're just raising the bar Wrong, Про music it again. Yes, you there with the keyboard, shut up and hack. Composition, arrangement, instruments, vocals, and recording by Dewi Wood. Our developers don't really promise an ideal world where all attackers are blocked all the time. But our small group developed some components that help make a difference. Black Hat, out there in the cold Hacking websites for control Can you crack me. Black Hat, working for the Chinese With twitchy fingers on flashing keys Can you spoof me. Black Hat, don't let them put you in the light Never give in: just fight. Black Hat, always trying to p0wn, Social engineering with a phone, Can you phish me. Black Hat, with your buffer overflows Waiting for someone to hit one Can you probe me. Black Hat, do you do this for pure knowledge. Too bad: they're pledged But it was all futility The firewall was strong As all can see No matter how he tried He could not break free And his worm just sputtered and died Black Hat, skimming cards down at the bank always claiming it was just a prank. Black Hat, out there on the net Throwing packets with wget Can you hack me. Black Hat, have you no hope at all. The firewalls were carped: they never fall Lyrics by Philip Guenther. Composition, arrangement, instruments, vocals and recording by Jonathan Lewis. Consider donating to our development efforts via. Majority of the про music covers thewhich increase collaboration between developers by getting them face to face regularly. Automate with a cron job and we'll be ok. Thoughtful programming versus just make it fast. In the right place, hacks stop in your protected stack. Theo doesn't suffer users' ill-informed bullshit. Fly to hackathons, sleep in dormatory beds Worldwide userbase, can you fund our project. Distributed and shared fairly but can't exist про music just a dime. Bass and vocals by Ulrike Jung. All other instruments, composition, arrangement, and recording by Joerg Jung. Mastering by Lars Neugebauer of adlerhorstaudio. As developers, we want to see users succeed, and so it's especially frustrating to see users setting themselves up to fail. The necessity of triaging vague complaints to determine if they represent true bugs or user error is a tax on all the users whose mail goes unread when motivation runs out. Much like a fork bomb process, these low content threads multiply and explode, threatening про music stability of the system itself and aggravating admins and users alike. Hello, Are there any experts out there. Please reply if you can help me. My users are pained I need my server up again. Just the basic facts Stop whining between your blurts. There is no wifi, you are pleading. Vendor firmware not on horizon. Packets only coming through in waves. Your lips move but broken audio mutes what you're saying. Now we've got that feeling once again. We can't explain, you would not understand. You're p0wn3d by a script kiddie dick. We do believe it's working, good. That'll keep you going for a while. I can no longer handle reading misc. I want to scrape out both my eyes. I tried to reply but your address bounced. I give you my middle finger now. Theo bugs me to help him out, often with a theme, and eventually I relent and devote an evening to it. We've had less success promoting things up through standards bodies and other projects. Too often the world seems caught up in a seemingly suicidal backward compatibility forever fervor, exacerbated by standards bodies populated by corporate represention that про music not want to make any kinds of disruptive changes that might cause expense. This time, once Theo put the bug in my ear, it didn't take me very long. I pondered our recent efforts to fix random functions via standards bodies, and considered the real possibility of my beingand then this this song just wrote itself in about 10 minutes. Enjoy -Bob Mother, don't you want to change this code. Mother, don't you think this cruft's too old. Mother, do you think we're heading for a fall. Ooooh aah, mother, we should change these calls. Mother, should I send a patch upstream. Mother, do you think it'll change a thing. Mother, про music they twist this in an unfair light. Ooooh aah, is it just a waste of time. Hush now, baby, baby, don't you cry Mama's gonna keep all of her customers true Mama's gonna keep legacy crap there with you Mama's gonna keep changes from making them sad She won't let you flense but she might let you add Mama's gonna keep baby growing much more Ooooh, babe, ooooh, babe, ooooh, babe Of course Mama's gonna help add some calls Mother, do you think this code is stuffed. Mother, do you think it's dangerous. Oooh aah, mother, will you break my heart. Hush now, baby, baby, don't you cry Mama's gonna rig all of the standards for you Mama won't let anything foreign get through Mama's gonna wait up till you send it, dear Mama will subvert things not invented here Mamma's gonna keep baby under control Ooooh, babe, ooooh, babe, ooooh, babe Don't say deprecation to me. Mother, does change need to be so hard. Composition, arrangement, instruments, vocals, and recording by Jonathan Lewis. Going back to the keyboard now. Composition, arrangement, instruments and recording by Jonathan Lewis. So, So you think you can sell Our Heaven to Hell. Про music you sell the green fields to buy your own cage. So you think you can sell Did you decide to trade Your leaders for stock. Complex code in the tree For simple code that was free. Did you walk out On a lead role in the war For a part as a boy scout. That same old lure Wish you were secure Lyrics by Philip Guenther. Programming, electric bass, electric guitar, and electric violin by Jonathan Lewis. Composition, arrangement, recording by Jonathan Lewis. Secure by default Chorus Lyrics based on the by Ty Semaka. Music rearranged by Timm Markgraf. Performed by Timm Markgraf vocals, guitar, banjoMalte Schalk bassand Moritz Brümmer cello. Recorded at Esdenera in Hannover, Germany. Mastered by Arno Jordan at Castle Röhrsdorf near Dresden. We're the openssh repository We hope you will enjoy the code The openntpd repository But that's not all that's here oh no. The mandoc 'pository, smtpd 'tory The libressl repo too It's wonderful to see the code Re-used far and wide The license is so liberal We'd love for you to code with us We'd love for you to code. I don't really want to have to go But it's hackathon time and so The coder will commit the code That he wants all of you to load So let me introduce to you the one and only Puffy Fish And the openbsd cvs repo. Composition, arrangement, recording by Jonathan Lewis. Vocals and instruments by Jonathan Lewis. After 20 years, one has to admit: With every release, Puffy becomes better, a little better all the time. With every release, Puffy becomes better, so much better all the time. Let's count in sys: 2064534 lines of C code 51526 lines of Assembly code With every release, Про music becomes better, really better all the time. Let's count in log: 314544 commits from developers 43. With every release, Puffy becomes better. Lyrics, composition, arrangement, and recording by Joerg Jung. Mastering by Lars Neugebauer of adlerhorstaudio and Joerg Jung. I read the news today oh про music About a silly man who made a change And though the hole was rather bad Well I just had to laugh I saw the про music he wrote. They'd seen such code before Everyone was really sure It was from 1984. And though the code was rather gross They held their nose and dove. I'd love to Ceeeeee Veeeeee Eeeeeee. Found a way down through 10 levels of hell And looking there, I noticed more to fix. To the developers actually doing the work, reactions to such efforts can often seem surreal, or irrelevant. The juxtaposition of working on the very real with the surreal going on around you can often make working on such projects feel like you're in a bit of an altered reality. A number of us have had many years like this in the last 20. Jonathan Lewis: programming, bass, piano, and Hammond B3 organ. Produced and Recorded by Jonathan Lewis. The bigger questions remain for the open source development community to answer: why did this occur. Complexity is the enemy of security, so for something whose raison про music is security, why are secondary goals allowed to endanger the absolute 1 goal. How important is it for developers and customers to have software where security is the goal. Can we set a new, higher bar for best practices that will drive everyone to do more than just posture. Composed by Richard Wagner in July of 1851. Arranged and performed by Jonathan Lewis. Tell me doctor, what will be the date, Is it 1901, or 2038. All I wanna do is make my keyboard sing From today I'll be fine But you better promise me I won't wrap back in time. Don't wanna wrap back in time. Don't bet your future on compat's bad advice Better remember, bugs always strike twice. Don't wanna wrap back in time Don't wanna wrap back in time No bad hacks in time. Don't wanna wrap back про music time Don't wanna wrap back in time don't wrap. In January of 2038, 32-bit Unix time will overflow and wrap back to 1901. This required a fair bit of upstream involvement. Thousands of fixes were required to make both 32-bit and 64-bit time work transparently. There will be more fixing in the future, but the concept is proven. Other operating systems can now make this jump. Lyrics by Bob Beck and Philip Guenther. Composition, arrangement, recording, and mastering by Jonathan Lewis. Composition, arrangement, recording, and mastering by Jonathan Lewis. Starting with this release, we introduce a new artist -- Katherine Piro. I've seen things your programs wouldn't believe. I watched threads racing trampoline bindings in ld. Composition, arrangement, vocals, recording, and mastering by Bob Kitella. Just as the original song professed its love for Brazil, World, you'll love про music Linux is the passionate call of an idealistic dreamer who can't bear the thought of software that will only run under Windows, and yet loves the situation with software that will only run under particular Linux distributions. This problem has proliferated itself into the standards bodies, with Posix adopting Linuxisms ahead of any other variant of Unix. Posix and Unix have made it where you can write reasonably portable software and have it compile and run across a multitude of platforms. Now this seems to про music changing as the love for Linux drives the standards bodies into accepting everything Linux, good and bad. We also are faced with groups writing software that only works with particular distributions of Linux. From this we get software that not only isn't very portable, but often not particularly stable. Our idealistic dreamer in the song loves running one, or more than one distribution of Linux for a particular purpose. Unfortunately, the rest of us are left with the unattractive choice of doing the same, or relying on herculean efforts to port software that is being actively developed in a way to discourage porting it to other platforms. Linux, the one and only true Unix We are in every way Posix We voice our yearning Someday soon We won't need any other. Then, tomorrow brings a new distro It's better than the last you know Another million bits that changed All the hacks and tweaks we conjure up They just get pushed into Posix There's one thing that I know The world will love it, all Linux Then, there's other stuff we push as well Others can work around this hell With just a million lines of Shell Now, as standards ape the one Linux Everyone else just gets про music There's one thing that I'm certain of The world will love it, all Linux We are Posix World, you'll love my Linux Linux, Linux Lyrics by Bob Beck. Music composed and arranged про music Jonathan Lewis. All other instruments, Jonathan Lewis. Recorded, про music, and mastered Jonathan Lewis of Moxam Studios. If you've got a bug That you just can't shove Who ya gonna install. Don't know where to go Who ya gonna install. I ain't afraid of no holes I ain't про music of no holes And you're off by one And it ain't no fun Who ya gonna install. If your system's down And it makes you frown Who ya gonna install. I ain't afraid of no holes I ain't afraid of no holes If you need a trace Gonna win that race Who про music gonna install. If you got a crash And you got no про music Who ya gonna install. Written and Arranged by Ty Semaka and Jonathan Lewis. Lyrics and Vocals by Ty Semaka www. All instruments про music by Jonathan Lewis. Recorded, mixed, and mastered by Jonathan Lewis of Moxam Studios moxam hotmail. Shut up and Hack 3:11 This is an extra on The Songs 4. This is an extra track by Ty Semaka and Jonathan Lewis. We've held many many of them, all over the world. Sub-groups of developers sit in one room and work fulltime for around a week. One phrase in particular that has come up amongst developers, to cut extra chit-chat to a minimum, is Shut up and Hack. We've placed this phrase on too; they were very popular with the guys. In the hack room In the back room Wires everywhere At the tables Fingers able Take another dare. Close up your holes Pick up the slack. This is an extra track by audio-subsystem developer Alexandre Ratchov. Ty Semaka has been drawing Puffy-inspired parody artwork for us for many releases. This time I asked him to do some art that is a meta-parody: A Puffy-inspired parody of a parody magazine. It's a mad mad world and number 5 is alive I gotta black submarine and I'm built to survive Threw a brick through your window Ya it's teenage fun Then I blew up a bridge And blocked out the sun Keep the source open Gonna get my kicks I'm 16 now Ya I don't need mix Got a stack o magazines In my treehouse club Nobody gettin' up here Its secure ya bub Got a dime store bazooka And a bubble gum tank Got pots and pans for cookin' up some Open source stank Threw a brick through your window Ya it's teenage fun Then I blew up a bridge And blocked out the sun Written and Arranged by Ty Semaka and Jonathan Lewis. Lyrics and Vocals by Ty Semaka www. Percussion and fuzzy bass guitar by Jonathan Lewis. Electric guitars by Tim Williams www. Recorded, mixed, and mastered by Jonathan Lewis of Moxam Studios moxam hotmail. This release the artwork is based on the stories of Douglas Adams, including his favorite number -- 42. If only we could stop slacking and make a release like that. How many streams must a fish swim down before you can call him a man. And how many codes must a vendor lock down before silicon turns to sand. Yes and how many times must the lawyers fly before they are forever banned. How many years can some source code exist before it's allowed to be free. Yes and how many times can a fish turn his head and pretend that he just doesn't see. Yes and how many times must we hitch while we hike To end up not getting far. And how many fish must we shove in our ear before we can hear every star. Lyrics and Vocals by Ty Semaka www. Guitar and harmonica by Leslie Alexander www. Recorded, mixed, and mastered by Jonathan Lewis of Moxam Про music moxam hotmail. Keyboard by Bob Kitella and Jonathan Lewis. Bass, additional programming, mixing, and mastering by Jonathan Lewis. Vocals by Duncan McDonald, bass guitar by Jonathan Lewis, guitars by Russ Broom, drums by John McNeil. Recorded, mixed, and mastered by Jonathan Lewis of Moxam Studios. Intel's controlling you And Microsoft is too But this is nothing new With A. Lyrics by Ty Semaka and Theo de Raadt. Synth, drum and bass programming by Jonathan Lewis, про music by Russ Broom, vocals by Jonny Sinclair. Nearly 10 years ago Kirk McKusick wrote a history of the Berkeley Unix distributions for the O'Reilly book Open Sources: Voices from the Open Source Revolution. We recommend you read his story, entitled first, to see how Kirk remembers how we got here. Sadly, since it showed up in book form originally, this text has probably not been read by enough people. After all, companies had lots of really evil lawyers back then too -- were they not afraid. Anyone who helped only got credit as a Contributor -- people like Chris Torek and a cast of. Then Mike and Kirk purified the kernel. A few newer developments and more free code were added, and released in June 1994 as 4. Music written and arranged by Jonathan Lewis. Lyrics and vocals by Ty Semaka. Drum, Bass, and Steel Drum programming by Jonathan Lewis. We are just plain tired of being lectured to by a man who is a lot like. In 1998 when a United Airlines plane was waiting in the queue at Washington Dulles International Airport for take-off to New Orleans where a Usenix conference was taking placeone man stood up from his seat, demanded that they stop waiting in the queue and be permitted to deplane. Even after orders from the crew and a pilot from the cockpit he refused to sit down. The plane exited the queue and returned to the airport gangway. Security personnel ran onto the plane and removed this man, Richard Stallman, from the plane. After Richard was removed from the plane, everyone else stayed onboard and continued their про music to New Orleans. This is the man who presumes that he should preach to us about morality, freedom, and what is best for us. He believes it is his God-given role to tell us what is best for us, when he has shown that he takes actions which are not best for everyone. He prefers actions which he thinks are best for him -- and him alone -- and then lies to the public. We release our software in ways that are maximally free. We remove all restrictions on про music and distribution, but leave a requirement to be known as the authors. We follow a pattern of free source code distribution that started in the mid-1980's in Berkeley, from before Richard Stallman had any powerful influence which he could use so falsely. We have a development sub-tree called ports. This is provided as a convenience for users. Some of the software which is fetched and compiled is not as free as we would like, but what can we do. All the other operating system projects make exactly the same decision, and provide these same conveniences to their users. There may be some people who listen to him. But we don't listen to people who do not follow their own stupid rules. Puffy and the mighty Cryptonauts Trading with new lands by open C Corporate monsters, many closing passages Tempting harpies 13 years of treachery Journey's over, welcome home the heroes Offering the bounty of their trade Useful clothing spun from the golden fleece For the people, free and very strongly made But something's wrong with them They will not take our free wares What's the matter good people. Then one brave soul spoke про music We're not allowed to take your gifts Hypocrites has spoken There are many new laws Hypocrites appears Puffy. First rule one dictates You cannot give your code away In Greek To your health, Nick, great bouzouki player and cool dude. And rule two dictates You must give it to me So I can give it away properly for free The list goes on of course But for traders this is all you need This is madness. This defies the first law of free trade Rule zero came before this rule one Freedom means you cannot dictate to anyone Then Hypocrites goes mad. Lyrics by Ty Semaka and Nikkos Diochnos. Vocals and bouzouki by Nikkos Diochnos. Baglama, second bouzouki, violin, bass, and drum programming by Stelios Pulos, né Jonathan Lewis. Guitar by Methodios Valtiotis, né Allen Baekeland. Percussion by Pentelis Yiannikopulos, né Ben Johnson. Recorded, mixed, and mastered by Jonathan Lewis of Moxam Studios. This song's lyrics express the core motivations and goals which have remained unchanged over the years - secure, free, reliable software, that can be shared with anyone. Many other projects purport to share these same goals, and love to wrap themselves in a banner of Open Source and Free Software. Given how many projects there are one would think it might be easy to stick to those goals, but it doesn't seem to work out that way. A variety of desires drag many projects away from the ideals very quickly. Much of any operating system's usability depends on device support, and there are some very tempting alternative ways to support devices available to those who will surrender their moral code. All of these choices surrender some subset of the ideals, and we simply will not do this. Sure, we care about getting devices working, but not at the expense of our original goals. This success had led to про music recognition for the advancement of Free Software causes, but has also led to other issues. That's the best we can expect from companies. After all, we make our stuff so free so that everyone can benefit -- it remains a core goal; we really have not strayed at all in 10 years. But we can expect more from projects who talk about sharing -- such as the various Linux projects. We don't want this to come off as some conspiracy theory, but we simply urge those developers caution -- they should ensure that the path they are being shown by those who have positioned themselves as leaders is still true. Run for yourself, not for their agenda. The Race is there to be run, for ourselves, not for others. We do what we do to run our own race, and finish it the best we can. We don't rush off at every distraction, or worry how this will affect our image. We are here to have fun doing right. Recorded, mixed and mastered by Jonathan Lewis of Moxam Studios. Vocals by Duncan McDonald www. Bass and keyboards by Jonathan Lewis. Lyrics by Ty Semaka and Theo de Raadt. As developers of a free operating system, one of our prime responsibilities is device support. No matter how nice an operating system is, it remains useless and unusable without solid support for a wide percentage of the hardware that is available on the market. It is therefore rather unsurprising that more than half of our efforts focus on various aspects relating to device support. Most parts of the operating system from low kernel, through to libraries, all the way up to X, and then even to applications use fairly obvious interface layers, where the communication protocols or argument passing mechanisms ie. Device drivers pose an additional and significant challenge though: because many vendors refuse to document the exact behavior of their devices. And often they are surprisingly weird, or even buggy. When vendor documentation does not exist, the development process can become extremely hairy. Groups of developers have found themselves focused for months at a time, figuring out the most simple steps, simply because the hardware is a complete mystery. Access to documentation can ease these difficulties rapidly. However, про music access to the chip documentation from vendors is. When we proceed into negotiations with vendors, asking for documentation, our position is often weak. One would assume that the modern market is fair, and that selling chips would be the primary focus of these vendors. But unfortunately a number of behemoth software vendors have spent the last 10 or 20 years building. This has effectively put Linux into the club with Microsoft, but has про music all the other operating system communities -- and their developers -- with much less available clout for requesting documentation. In a more fair world, the Linux vendors would work with us, and the device driver support in all free operating systems would be fantastic by now. We only ask that us in changing the political landscape. Puffy Baba and the 40 Vendors We all know the details Про music cave, magic words, some thieves, some serious loot, and lucky - Mister - Baba Who got a bad rap if you ask me The little guy who did the best про music what he had Here are Mr. Baba's lessons Load one ass, take a few trips and spend in moderation Three things the average man can't - get - right If you know your brother is a greedy bastard never give him the password If he goes penguin on you, stop - being - his brother. When a cave is guarded by magic lawyers A sea of blood will be its doormat So do the best with what you have Beyond the lessons - про music must know this that the Devil is as real as your address But unlike Vendors, he at least keeps the door open Vendors of water that should be free Look upon their words and despair Their badvertising made a thief of my brother then made him better off dead Now he hasn't got shit to do his best with Gratis. The companies of thieves stole every good adjective and left us with open source sores sharing smaller and smaller bandages for each consecutive cut Про music with the salty water of labour parched desert becomes pregnant black soil It's not whether you're well off it's where you dig the well The best the little guy can do is what the little guy does right Recorded, mixed and mastered by Jonathan Lewis of Moxam Studios. This is an extra track by the artist Ty Semaka who really has had Puffy on his mind which we included on the The Songs 3. Ty and Theo really do go to a very specific bar and discuss what is going on in the project, and then try to find a про music that will work. Includes an 11cm silver-on-clear die-cut wireframe Puffy sticker. He sits me down and he tries to explain: He says The badabadabingabanger button on the raidorama cuttin' on the systematicalifornication and a license application is a fishybomination and a random allocation got a copywritten melanoma sasafrazzin' wireless device. Be Open Be Vocal Stay Open Stay Vocal repeat Then he has another beer and gets all, you know, pushy. Про music squeeze in five concepts every time, every song. And the geeks and Theo lose it if I draw the device wrong. It's four little buttons not five Ty And pretty soon I'll be losing my mind cause it's a f. While tests of the release про music are done by developers around the world, Theo and some developers from Calgary or Edmonton such as Про music Valchev or Bob Beck test that the discs are full of only correct code. Ty Semaka works for approximately two months to design and draw artwork that will fit the designated theme, and coordinates with his music buddies to write and record a song that also matches the theme. Then the discs and all the artwork gets delivered to the plant, so that they can be pressed in time for an official release date. This release, instead of bemoaning vendors or organizations that try to make our task of writing free software more difficult, we instead celebrate the 10 years that we have been given so far to write free software, express our themes in art, and the 5 years that we have made music with a group of talented musicians. Sometimes at hackathons you will hear the same songs being played on multiple laptops, out of sync. It is under such duress that much of our code gets written. We feel like Pufferix and Bobilix delivering The Three Discs of Freedom to those who want them whenever the need arises, then returning to celebrate the unlocked source tree with all the other developers. Humppa negala Humppa negala Humppa negala Venismechah Humppa negala Humppa negala Humppa negala Venismechah Humppa neranenah Humppa neranenah Humppa neranenah Venismechah Humppa neranenah Humppa neranenah Humppa neranenah Venismechah Uru, uru achim. Uru achim b'lev sameach Uru achim b'lev sameach Uru achim b'lev sameach Uru achim b'lev sameach uru achim. Based on the traditional Jewish song Hava Nagilah composed by Anonymous. Section of Enter The Gladiators circus theme composed by Julius Fučík. Recorded, mixed and mastered by Jonathan Lewis of Moxam Studios. Accordion, Tuba and drums by Jonathan Lewis. All the code is there for all to see. Blobs are vendor-compiled binary drivers without any source code. Hardware makers like them because they obscure the details of how to make their hardware work. They hide bugs and workarounds for bugs. Newer versions of blobs can weaken support for older hardware and motivate people to buy new hardware. Many other open source operating systems cheerfully incorporate them; in fact their users demand them. But when you need to trust the system, how do про music check the blob for quality. How do you know the blob contains no malicious code. Inspection is impossible; you can only test the black box. And when it breaks, you have no idea why. It runs on a wide variety of hardware. It contains many new features and improvements. Anyone can look at it, assess it, improve it. If it breaks, it can be fixed. Little baby Blobby was a cute little baby when we found him on the beach, there was nothin' shady you could bounce him on your knee like a ba-ba-ball and his first little word про music adorable He said a blah blah blah blah blah blah blah blah Blah. But everybody was so happy - about Blob Blob was popular at school he was helpful too He could get your motor runnin' with a drop of goo He was givin' про music away never charged a dime But by the time he graduated Blob was business slime. He was a blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah He's givin' you the Evil Eye. Now everybody had it they was про music around They was givin' up their freedoms for convenience now Blobbin' up the freeway, water black as pitch And somehow little Blobby was a growin' rich. He was a blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah It's linkin' time. Now it про music out of control n' fishy's came to depend on Blobby's Blob Blah, seemed to be no end Then his empire spread and to their surprise Blobby been a growin' to incredible size. He's a blah blah blah blah blah про music blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah B-b-b-b-b-b-b-b-b Then along came a genius Doctor Puffystein And he battled the Blob who про music crossed the line He was 50 feet tall - Doctor said No fear I got a sample of Blob I can reverse engineer. Blob was takin' over the world. Music composed by Ty Semaka and Jonathan Lewis. Bass guitar, organ and bubbles by Jonathan Lewis. For a multitude of stupid reasons, vendors often attempt to lock out our participation with their customers by refusing to give our programmers sufficient documentation so that we can properly support their devices. They refused to give us documentation. Without documentation, support for their controller had always been poor. Apparently most of these про music are because the Adaptec controllers have numerous buggy firmware issues which require careful workarounds; without documentation we cannot solve these issues. But no public documentation exists, and Adaptec has dozens of cards with different firmware issues. All of this adds up to a very desperate development model -- it becomes very hard for the principle of quality to show its head. But once a drive has failed, you require your array to automatically, most likely perform the operations to repair itself, so that it is functioning perfectly again. Some vendors or like the above Adaptec case, ex-employee have sometimes given us some documentation so that we could write drivers, so that their devices could support Redundancy. But these vendors have never given us any documentation for performing Repairs. These are typically gigantic Linux binaries, or some crazy thing, that is supposed to work through a bizarre interface in the device driver, which we are apparently supposed to write code for without any documentation. There is no great intellectual property in this stuff, it is all rather simple primitives. And keep pestering the other vendors. Narrator: Welcome friends to the adventures of Puffiana Jones. Whether braving jungles of wires, oceans of code, or hacking the most treacherous of crypts, one fish fights for justice. With bravery and morality like none other, one name rings true. Puffiana Jones, famed hackologist and adventurer. Tracking down valuable artifacts and returning them to the public from the steely grip of greed. Many a villain has he pummeled, many a vile vendor has he thwarted, countless thugs, lawyers and kitties abound. Join про music now in his latest adventure. Marlus: Puffy, this mission will be dangerous. Puffy: I'm a careful guy Marlus. Puffy and Salmah: They're hacking in the wrong place. Beluge: You will never get the documentation Jones. Puffy: Now you're gettin' nasty. Narrator: Through thick and thin our hero persists, until finally, there before him lies the answer of the ages. But alas, he is foiled once again by the evil Neozis. Про music he must chase the truth. Join us next time for the continuing adventures of Puffiana Jones. The Moxam Orchestra programmed and played by Jonathan Lewis. Vocals and Lyrics by Ty Semaka. For an operating system to get anywhere in the market it must have good device support. Ethernet was our first concern. Many vendors refused to supply programmers with programming documentation for these chipsets. Today, some vendors still resist releasing ethernet chipset documentation ie. Again, the problem was solved by writing drivers for documented devices first. If the free software user communities use those drivers preferentially, it is a market loss for the secretive vendors. Another approach that has worked is to publish email addresses and phone numbers for the marketing department managers in these companies. These email campaigns have worked almost every time. We asked our users to help us petition numerous vendors so that we could get chipset documentation or redistributable firmware. Certainly, we did not succeed for some vendors. But we did influence some vendors, in particular the Taiwanese Ralink and Realtekwho have given us everything we need. We also reverse engineered the Про music chipsets. Heck, avoid buying even regularto send a message. Our manual pages attempt to explain which vendors ie. D-Link box which chipsets into which product. Send a message that open support for hardware matters. A vendor in Redmond largely continues their practices because they get the chipset documentation years before everyone else does. What really upsets us the most is that some Linux vendors are signing Non-Disclosure Agreements with vendors, про music contracts that let them distribute firmwares. You always had brains You answered each call And this may surprise you But you've got some balls So double click heels and work with Taiwan And speak to про music doggie You're already gone. Lyrics and vocal melody written by Ty Semaka. Main vocals by Jonathan Lewis, sung female про music by Adele Legere, Puffathy little girl voice by Anita Miotti, monkeys and laughing by Ty Semaka, guitar by Reed Shimozawa, drums, bass and all other sounds programmed by Jonathan Lewis. Recorded, mixed and mastered by Jonathan Lewis at Moxam Studios. What is up with some free software providers. They say Here's something free. While not exactly bait-and-switch, this is something which has been causing the community continual grief, and therefore we decided to honour a few of the projects that have decided to go non-free. Suddenly, one day, he decided that we must give him more credit ie. Within about 4 months every project had told him to get stuffed, and the community has created a replacement effort. Now his team cannot even keep their web pages up to date. But a few years later he told us that we were not free to make changes to the code. So we deleted ipf, and our new packet filter far exceeds the capabilities of the one he wrote. And other projects are switching too. But the years have changed them, and what they supply is now quite non-free. So here's a goodbye to those three groups, and a warning to any others who will follow them: Make your stuff non-free, and something else will replace it. Well he rode from the ocean far upstream Nuthin' to his name but a code and a dream Lookin' for the legendary inland sea Where the water was deep n' clean n' free But the town he found had suffered a blow Fish were dying, cause the water was low Fat cat fish name o' Diamond Dawes Plugged the stream with copyright laws He said my water's good n' my water's free So Pond-erosa, you gonna thank me. Then he bottled it up and he labeled it Mine They opened n' poured, but they ran outta time. So Puff made a brand and he tanned his hide Said. The water's fine on the Open range And he passed a law that it couldn't change. No freeze, no boil, no frolicking young Puff took him aside, said this is wrong Then he found the Mayor was addin' the crud. So he took him down in a cloud of blood Said The Mayor's learnd, he's done been mean So they did it right and the water went clean. Fish started flippin' and floppin' about Yellin' Mercy Puff. So he rolled up-gulch till he hit the lake Of Apache fish, they was on the take They'd built a dam that was made of rules Now Puff was pissed and he lost his cool. I'm sick and tired of these goldarn words. You're full про music beans n' killin' my town and if you's all don't shut er down I'll hang a lickin' on every one of you sons o' bitchin' greedy scum. So he blew the dam, an' про music let про music haul Cause water oughta be free for all. Never piss on another man's boot. Vocals, Lyrics, Melody and Co-Arrangement by Ty Semaka - Guitar by Chantal Vitalis - Bass by Jonny Nordstrom - Drums by John McNiel, Fiddle - Co-Arrangement, Recording, Mixing, Mastering by Jonathan Lewis of Moxam Studios. A common theme used by the comedy crew Monty Python was to emphasize and exaggerate ridiculousnesses that their target had imposed upon themselves. Few things could be considered as humorous as making a redundancy protocol. We've been working a few years now on our packet filtering software and it became time to add failover. We want to be able to set up pf firewalls side by side, and exchange the stateful information between them, so that in case of failure another could take over 'keep state' sessions. Our protocol solves this problem. However, on both sides of the firewall, it is also necessary to have all the regular hosts not see a network failure. But the only real way to do that is to use multicast protocols. Some standards groups use this policy, while others avoid it -- the one differentiation being the amount of corporate participation. Left with little choice, we proceeded to reinvent the wheel or, more correctly, abandon the wheel entirely and go for a про music. The combination of, and has permitted us to build highly redundant firewalls. To date, we have built a few networks that include as many as 4 firewalls, all running random reboot cycles. Про music long as one firewall is alive in a group, traffic through them moves smoothly and correctly for all of our packet filter functionality. Cisco's low end products are unable to do this reliably, and if they have high end products which can do про music, you most certainly cannot afford them. Apparently we had failed to go through an official standards organization. We also про music pfsync at an open and unused number. This ridiculous situation then inspired one of our developers to create this parody of the well-known Про music Python skit and song. Licenser: Well, it's free isn't it. Customer: Yes, I chose it out of three, I didn't like the others, they were all too. Licenser: You must be a looney. Why should I be tied with the epithet looney merely because I wish to protect my redundancy protocol. Cisco has two redundant patents, both encumbered, and Cadtrack has a patent on cursor movement. Licenser: For a free redundancy protocol. Customer: Look, it allows for bleeding redundancy doesn't it. Customer: I bleeding well do and I got one. Customer: I bleeding got one, look. Customer: The man didn't have the right form. Customer: Robert Barr, the man from the redundancy detector van. Licenser: The looney detector van, you mean. Customer: Про music, it's people like you what cause unrest. Licenser: What redundancy про music van. Customer: The redundancy detector van from the Monopoly of Cizzz-coeee. Customer: It was spelt like that on the van. I never seen so many bleeding aerials. The man said that their equipment could pinpoint a failover configuration at 400 yards. And my Cisco router, being such a flappy bat, про music a piece of cake. Licenser: How much did you pay for that. Customer: There's nothing so odd about that. I'm sure they patented this protocol too. Customer: Did, did, did and did. Customer: Spoken like a gentleman, sir. Licenser: I promise you that there is no such thing. Customer: In that case, give me a Firewall License. Customer: No, half my firewall. Licenser: You're off your chump. Customer: Look, if you intend by that utilization of an obscure colloquialism to про music that my sanity is not entirely up to scratch, or indeed to deny the semi-existence of my little half firewall, I shall have to ask you to listen to this. My firewall just keeps running, see, bisected accidentally, one summer afternoon by me. Redundancy must be free song: Lead vocal by Peter Rumpel, backing vocals by Jonathan Lewis and Ty Semaka. Piano by Janet Lewis, acoustic guitars by Chantal Vitalis. Bass and Geddy Lee questioning by Jonathan Lewis. Join Puffy Hood and his Funny Fish as they take on the Sheriff an unelected leader and other evil forces of the draconian government. We accepted funding based on the promise that our freedom to operate as we wished was unaffected. To us, freedom is more important than funding -- heck, we were dealing with the evil forces of government, and needed to be careful. Many articles in the press followed regarding this sudden maneuver. That almost toes the line of calling us terrorists. We had lost financial support, but the release of the statement above suddenly made us very happy to be free of any perceived obligation to such crazy people. Since the termination came near natural contract termination about 4 months remainedless damage than expected was sustained про music the project. Sponsors stepped forward and helped us make up the missing funds we needed to run our Hackathon, and the event proceeded as planned. We even had T-shirts made with Workstations of Mass Development artwork for those developers who attended sorry, they are not for sale. We could not make stories like this up. So instead, we are making up an allegory about it, using the tale of Robin Hood. And Open because it's always free So raise up your glass and three cheers про music the Funny Fish for never running and making something good. Word to the sea y'all The Hood's a bad ball Ya underneath he's a heathen and a traitor He can take from you all and say later. Naw he ain't lovin' ya He gettin' richer than Bill Gates and Dubya Read the Wanted poster of Sheriff Plac-o-derm fool We gettin' back the booty or we take away your worms too Yo. Word to the classes Put on your glasses I guess the Sheriff is King till this passes Times are a changin' and movin' so fast He says Give me your freedom, I'll grasp it and pass it to brass who can hash it for weapons of massive distraction. And hand me the bastards that brashly amassed from the cash happy faction of oily and gassy co-action. Music, Co-arrangement, Recording, Mixing, Drum Programming, Bass, Organ, and Violin by Jonathan Lewis. Co-Arrangement, Lyrics, and Main Vocals by Ty Semaka. Like other Barbarians before him, Puff has had to face some pretty crazy challenges. Deep through the mists of time Gaze to the crystal ball Back to the age of darkness Black was the protocol A King ruled the web with fear Spilling the blood of men Then from the ocean came Puff the Barbarian Born in a tiny bowl Puff was a pet Sold into slav-er-y by the man Eating the weeds till he was strong enough Breaking his bonds like nobody can Down the sewer pipes of Hell A thousand kitties then did bleed Constraints were slain as well Hacked his way out to the C And there he found His destiny Hammer of the Ocean God Xor taking care of me Then in a dream Xor requested he Go to the Sun King, get what I yearn Kernighan saw it, prophet of the C Knowledge - so they may never return At the tower Puff appealed For the wisdom of the One Denied, his mind did reel Puff was getting tired of Sun Broke down the guard Cause math is hard Saw McNealy on his throne All alone and only bones Come the Sun King blade ablur Hammer down eclipse the Sun And Puff, the land secured The new King Barbarian. Written and arranged by Ty Semaka. Vocals by DeVille, guitar by Sean Desmond, bass by Ian Knox, drums by John McNiel, violin by Jonathan Lewis. Goldflipper With golden skin and flippers as sharp as a knife He's the machine Designed to dismember your life And the fish Protecting про music all from the cat And the cat Infecting the wo-orld for a laugh Cyborg on a mission To do some Puff fishin' The doctor wants fugu tonight. Oh double seven Send me to Heaven Cause for Mr. Po-o-o-ond The women are fond She knows what to do She'll turn Gold to goo Goldflipper is gone Gold flipper's goooooooooooooone Lyrics by Ty Semaka. Written, Arranged and Performed про music Ty Semaka vocals, lyricsIan Knox bass, drum programmingand Sean Desmond guitar. I'm secure by default stay off, stay off, stay off By The Plaid Tongued Devils.

While Kanye acknowledges that black males are victims of racial discriminatory policies he ignores the effect on black women. The compact size of these files led to their widespread use in computers, mobile phone , webpage authoring and musical greeting cards. If it breaks, it can be fixed. Ty Semaka has been drawing Puffy-inspired parody artwork for us for many releases. According to Gourdine and Lemmons, the older the individuals are, the more likely they are mature and disidentify with the harsh words and misogyny against women in rap music. Aspects of Teaching Secondary Music: Perspectives on Practice. Never piss on another man's boot! Mastering by Lars Neugebauer of adlerhorstaudio and Joerg Jung. In: Black Looks: Race and Representation. We also placed pfsync at an open and unused number.